othersdie: are you exiled in those bottomless nights? (Confused)
[There is a bird standing on top of this camera--no, pecking this camera. If it wasn't talking, it would be an unremarkable little brown bird.]

I just want a chance. I want to start over.

[For those who have been following the network today, it shouldn't be surprising to hear a bird using Justin's voice (or what sounds like Justin's voice; he doesn't usually sound quite so desperate).

Peck peck peck.]


I just want a chance. I want to start over.

I just want a chance. I want to start over.

[Peck peck--click!]

Private Text // Off Network )

[ooc: Video is entiiirely accidental and Justin won't know about it until he's informed. Additionally, my notifs are kind of wonky; please forgive me if replies aren't quick!]

7 [text]

Mar. 27th, 2012 09:22 pm
othersdie: are you exiled in those bottomless nights? (Glasses: Reading)
Police Filter // Unhackable )

Filtered to Dean // Unhackable )

For those who haven’t heard, Todd Anderson has written a play called “Like Clockwork” that will likely be performed in May. If you are interested in helping with the play’s production, contact Neil Perry. Please consider attending.

Additionally, in light of recent allegations, I would like to issue this reminder: the police officers in the City are as susceptible to curses as anyone else. Like everyone else, they cannot be held responsible for actions they take while under the influence of a curse.


I wonder if the rest of spring will be as eventful as its beginning.

Private // Off Network )


[COMMENTS]

6 [text]

Mar. 10th, 2012 01:37 am
othersdie: as fragile as a butterfly in May (Anxious: Anywhere but up)
I hope that everyone has had time to recover from their experiences in the desert.

That was a strange curse, and strangely anticlimactic. I don't know what I was expecting, but it's worrisome--the sudden split, the apparent lack of control that the deities had over the event (but their amount of control has been brought into question before now), the abrupt disappearance of the desert. The City has an inherent instability to it. I understand that. I wish I understood something beyond that.

Someone--Rosella?--mentioned an hourglass. It seems like sand has always been making random appearances in the City (as far as I can remember) and everything seems to revolve around time: the Clock always (or almost always) ticks, the twelve apartment complexes are arranged around the center of the City like numbers on a clock face, most curses last twenty-four hours, other curses are so regular that they could be marked on a calender.

Sand and time. Did the hourglass get turned upside-down? Is there any significance to the fact that one City was sand and the other was glass when glass can be made from sand? How much control do the deities have and how much power do the other beings that we've seen before have? How much power do we have?

Not that it matters. The City exists whether or not we're here, whether or not we remember, and whether or not we care enough to worry about what it is and what its purpose is. Maybe the City isn't a sentient thing or a twisted experiment; maybe it's a world like any other where individuals don't mean anything. Maybe the Clock would keep ticking if we all vanished (if a clock works in a universe where no one can hear it, does it make a sound?). Right now, I'm inclined to think of us as grains of sand in relation to the City as a whole.

Filtered to Neil and Todd // Unhackable )

Private // Off Network )

[ooc: The triumphant return of mopey tl;dr that no one can read!]


[COMMENTS]

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othersdie: are you exiled in those bottomless nights? (Default)
Justin Pendleton

January 2015

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